Daniel Boyd
History is Made at Night (2013) was an immersive video installation engaging in the history and influence of stars, in particular our sun, and the formation of life on earth.

Michael Candy
Little Sunfish (2019) was a speculative story about a robot that escapes its human masters to roam the Pacific Ocean.

Brad Darkson
Smart Object (2020) combined traditional carving and animation to explore cultural knowledge transfer, time, and the life force of and within things. An Experimenta & ANAT co-commission.

Donna Davis
TRANSplant (becoming Kin) (2019-20) was a multi-media work inspired by research conducted at the Australian Tropical Herbarium, imagining the adaptations required by flora to survive climate change.

Justine Emard
Soul Shift (2018) was a video work depicting two generations of the same ground-breaking robot design meeting for the first time. Developed in collaboration with Japanese roboticists.

Anton Hasell
3D Printed Difference - Tone Bell (2017) was an interactive installation that reinvented the tradition of bell making through 3D printing.

Floris Kaayk
The Modular Body (2016) was a multi-channel video installation realised as a speculative fiction asking audiences to consider the ethical questions involved in biotechnology research.

Thomas Marcusson
DJ Moss (2020) was an installation that brought an alternative type of living entity to the DJ role – living, breathing moss. An Experimenta commission.

Uyen Nguyen, Max Piantoni and Matthew Riley
You, Me, Things (2020) was a playable sound installation where different entities were brought into existence to create an evolving ecosystem. An Experimenta commission.

Helen Pynor
Habitation (2020) explored how animate and inanimate boundaries are collapsing due to the widespread use of medical prosthetics. An Experimenta and SymbioticA co-commission.

Dominic Redfern
first forms (2020) was a multi-screen installation exploring cyanobacteria, the single-celled life form that created the conditions for complex life. An Experimenta commission.

Theresa Schubert
Sound for Fungi. Homage to Indeterminacy (2020) was an interactive installation where participants were invited to manipulate a sound wave modulating the growth of fungi.

Rebecca Selleck
Snow Rabbits (2018-20) was an installation featuring rabbit-like forms which deliberated on introduced species and our human culpability in environmental changes.

Agat Sharma
Brachiation on the Phylogenetic Tree (2020) is a speculative fiction work that adapted automated call centre technologies to explore the entanglement of human beings and micoorganisms.

Miranda Smitheram
Macro/Micro_Whakapapa (2019) was an installation that spoke to First Nation’s perspectives of the world, where all matter is understood as lively, relational and interconnected.

PluginHUMAN
PULSE: The Life Force of Trees (2020) was a sculptural installation with light and sound driven by environmental data collected from significant trees across the world. An Experimenta commission.

The Tissue Culture & Art Project
Biomess (2018) celebrated the diversity and strangeness of natural and designed life, while challenging our perception of bio-tech ethics.

m0wson&MOwson
feeler (2019-20) was an installation of dismembered octopus tentacles which explored motherhood and the reproductive manipulation and control of non-human life forms.

Laura Woodward
Planet (2019) was a sculptural installation that focused on the interplay of water, air and light – the fundamental building blocks of life.

Suzanne Kite and Devin Ronneberg
Itówapi Čík'ala (Little Picture) (2019) was an interactive installation that revealed an Oglala Lakhota world view of the relationships between human and non-human entities and intelligences.